Mason Peters
Scratchboard is made from layers of white China clay, black India ink and board. This kind of art is considered by many artists to be one of the most difficult mediums to work with. It is time-consuming and unforgiving. Every line is done by hand and you cannot fix your mistakes. Talented artist, Mason Peters, uses scratchboard as his medium of choice to create intricate, surrealist scenes.
Mason Peters is an artist from Seattle, currently residing in Nashville. He has developed his style and expertise through dedication to his craft and consistency of production.
Journey Through a Zentangled Mind, October 1 - October 29, 2022
Modfellows - WeHo
Mason Peters is a self-taught artist with a keen sense of composition and instant mark-making. In his show, Journey Through a Zentangled Mind, Peters—who is influenced by automatic thought and music—uses scratchboard to captivate funky, playful, surrealist scenes that display motion and the flow of emotion. His pieces are intricate, multi-faceted, and overwhelming in the best possible way. They transport you into a wonderful world of chaos and allow you to dive deep into the artist’s psyche. Scratchboards are an unforgiving medium that many artists choose to avoid, but not Peters. He uses the permanence of line in a provoking way, displaying the high contrast of these black and white works of art.
Available Prints:
Archival pigment prints, made from 100% cotton rag, Palo Duro Etching 315 museum quality and conservation grade prints.
Three sizes are available:
22”x17” - limited edition of 10, hand-signed and numbered.
11”x14” - limited edition of 20, hand-signed and numbered.
8”x10” - limited edition of 20, hand-signed and numbered.
Archival pigment prints, made from 100% cotton rag, Palo Duro Etching 315 museum quality and conservation grade prints.
Three sizes are available:
22”x17” - limited edition of 10, hand-signed and numbered.
11”x14” - limited edition of 20, hand-signed and numbered.
8”x10” - limited edition of 20, hand-signed and numbered.
Archival pigment prints, made from 100% cotton rag, Palo Duro Etching 315 museum quality and conservation grade prints.
Three sizes are available:
22”x17” - limited edition of 10, hand-signed and numbered.
11”x14” - limited edition of 20, hand-signed and numbered.
8”x10” - limited edition of 20, hand-signed and numbered.
Archival pigment prints, made from 100% cotton rag, Palo Duro Etching 315 museum quality and conservation grade prints.
Three sizes are available:
22”x17” - limited edition of 10, hand-signed and numbered.
11”x14” - limited edition of 20, hand-signed and numbered.
8”x10” - limited edition of 20, hand-signed and numbered.
Archival pigment prints, made from 100% cotton rag, Palo Duro Etching 315 museum quality and conservation grade prints.
Three sizes are available:
22”x17” - limited edition of 10, hand-signed and numbered.
11”x14” - limited edition of 20, hand-signed and numbered.
8”x10” - limited edition of 20, hand-signed and numbered.
Archival pigment prints, made from 100% cotton rag, Palo Duro Etching 315 museum quality and conservation grade prints.
Three sizes are available:
22”x17” - limited edition of 10, hand-signed and numbered.
11”x14” - limited edition of 20, hand-signed and numbered.
8”x10” - limited edition of 20, hand-signed and numbered.
Archival pigment prints, made from 100% cotton rag, Palo Duro Etching 315 museum quality and conservation grade prints.
Two sizes are available:
11”x14” - limited edition of 20, hand-signed and numbered.
8”x10” - limited edition of 20, hand-signed and numbered.